RuPaul Comedy Series ‘AJ And The Queen’ Set On Netflix From Michael Patrick King

RuPaul-Comedy-Series-‘AJ-And The-Queen'-Se-On-Netflix-From-Michael-Patrick-King
RuPaul-Comedy-Series-‘AJ-And The-Queen'-Se-On-Netflix-From-Michael-Patrick-King
AJ and the Queen is a new original comedy series featuring RuPaul, who is a legend to Netflix as the star of AJ and the Queen. RuPaul Charles has teamed with 2 Broke girls co-creator, former sex, and the city showrunner Micheal Patrick King. This project, which has received a 10 episode order from the Internet network. Warner Bros tv, where the king is based, is the studio. The series superstar RuPaul featuring Ruby Red, a bigger than life but down on her luck drag queen while traveling across the country in a run-down RV, queen Ruby Red discovers a rare sidekick in AJ a tough-talking 10-year-old stowaway. As these two misfits, one tall and one small travel from city to city, Ruby’s message of love and acceptance winds up touching people and changing their lives for the better, and also RuPaul performs a killer musical number in every drag club.
AJ and the Queen review – RuPaul’s buddy comedy is a total drag.
There are times when it’s hard to believe if Netflix is OK. The service is at it once again with AJ, and the Queen, which at one point features RuPaul Charles lip-sync duetting with a 10-year-old girl, both in drag, to You’re the One to whom I Want in a trailer park in Arkansas. The trouble is, it takes a hell lot of episodes to get there.

It is a teen-leaning drama, though at times it feels that it is aiming at a much younger audience. It follows a runaway drag queen and a stowaway child on a road trip across America, and it is a thrilling combination, shot with such dedication to soft focus and complimentary lighting you’d forgiven for attempting to wipe the screen. RuPaul is Ruby Red, a tough, old-time New York club queen who has saved up $100,000 – Drag Race viewers may find it challenging to watch RuPaul saying “$100,000” with a straight face – to give up the night job and set up his drag club. But his David Gandy-Esque boyfriend, so model-handsome that he must be evil has other ideas and makes away with the cash, leaving Ruby Red to try to scrape some of it back on a last-minute drag tour of smalltown of USA.


There is a tacky Kill Bill twist to the criminal subplot and the inspired casting of Wayne’s World’s Tia Carrere as a villain plastic surgeon and master villain. But the main event is an honest attempt not so much to pull on your heartstrings as tear them into submission. Ruby Red’s neighbor is a 10-year-old girl named AJ, an unbearably cute slutter brat who dresses like off-duty Cara Delevingne and is left to protect herself on the mean streets of New York because her inattentive mother is an addict and sex worker. Eventually, after some bratty minor robberies and a couple of tantrums (“You’re like a Chucky doll, but not as nice”), AJ ends up accompanying Ruby Red from New York to Texas in a battered old camper van. Along the way, they teach each other valuable life lessons about love and self-acceptance.

It sits between two worlds, sometimes uneasily, and it is unclear to whom it is aiming. Is it for kids, for teenagers, or for adults who never knew what they needed from TV was to see RuPaul riding a donkey? Fans of RuPaul’s considerable television empire will have fun spotting Drag Race alumni, 22 of whom appear dotted around the various cities Ruby Red and AJ visit. There is plenty of fodder for lovers of erotic humor, too, particularly from Michael Leon Woolley as Ruby Red’s flatmate and best friend, Louis. When Ruby Red embraces the love of listening to Oprah, who taught him to dream, Louis snaps back: “But I taught you how to put a condom on in the dark. Now which one’s more important?”